Screening Opportunity for Moving Image Works - Temperature Check

Deadline: 15/11/2026

City: London  |  Country: United Kingdom  |  Deep Focus

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We are welcoming submissions of Moving Image works and Artist Films showing, questioning, employing or relating to energy, its usage and its products. Deep Focus’ Winter programme aims to conduct a temperature check for the present, presenting works that will respond to three main concepts: HEAT – movement, presence, an abundance of energy; COLD – absence and stillness, a lack of energy or the refusal to produce energy at all; THERMAL EQUILIBRIUM – bodies touching and adjusting their energy exchange until they reach the same temperature.

Deep Focus welcomes submissions of moving image works under 10 minutes for the winter/spring program, showing, questioning, employing or relating to energy, its usage and its products.

We want to see how moving image as a practice can be used to conduct a temperature check for the present, presenting works that will respond to three main concepts: HEAT – movement, presence, an abundance of energy; COLD – absence and stillness, a lack of energy or the refusal to produce energy at all; THERMAL EQUILIBRIUM – bodies touching and adjusting their energy exchange until they reach the same temperature.

You can submit films up to 10 minutes long, shorter videos and excerpts are encouraged.

Please only submit one film as multiple submissions from the same artist will not be considered.

Screenings will be held on 20 January, 19 February and 19 March 2027 at the RHB Cinema, Goldsmiths, London, UK (subject to change).

Note that we are unable to review more than one submission per artist. Any subsequent submission will be ignored.

By filling out and submitting your work you agree that we will use excerpts and stills of your works to promote the event.

We can provide letters of support to shortlisted artists, to aid them seeking out funding for travel and other expenses (since we ourselves are volunteer-run and non-funded).

FAQ are available here: https://docs.google.com/document/d/1-a8lIE0BOez_AyWb8G2mBxi8hdqTTT8CideLBlBkimk/edit?tab=t.0#heading=h.h6ah7zvdgngg

Make a submission Contact the curator
Who is eligible for this opportunity?
There are no restrictions on who can submit.
When is the deadline?
Midnight on 15 November, 2026.
How many works can I submit?
1
When is the delivery date?
The film needs to be ready at the time of submission.
When do I need to collect my work?
N/A
How much does it cost?
It is free.
Are there payments to artists?
No, the project is volunteer-run and unfunded, yet we are more than happy to provide letters of support to aid the artist securing travel grants.
What time is the screening?
The event starts at 7 pm and will run until 9 pm.
Does the location have disabled access?
Yes, but do let organisers know if you have any access needs, so they can arrange appropriate support.
What publicity will be provided as part of the opportunity?
Yes.
Do I need to be present?
These is a strong preference for artists to attend the screening.
Where will my venue be listed?
Deep Focus Newsletter, Deep Focus Arts instagram, in appropriate London's Artist Newsletters and Screening announcement portals, as well as local arts social media promoters.
How do you decide on proposals?
Proposals are reviewed by Deep Focus co-founders, who then marks them against the selection criteria.
The curator makes the final selection.
What happens if my proposal is chosen?
You will be contacted via email with the date of the screening picked for your film (this cycle has three screening dates set).
What kind of proposals are you looking for?
We look for experimental works with engaging and unique approach to moving image format.
What are the selection criteria?
We decide on the films to show based on the fit to the theme and the curatorial selection, we also consider originality and how engaging the work is to watch. The theme is approached very loosely and we encourage the artist to submit, even if the connection to the theme is not apparent - we watch all the films and even if not selected, we keep them in our Artist Archive (as long as we have your consent to do so) and keep them in mind for future screenings and other showcasing opportunities.

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