On 31st August 2025, CuratorSpace will be unavailable between 11pm and midnight whilst we do some routine maintenance and updates. If you have any questions or concerns please contact help@curatorspace.com

Caroline Beavon East Sussex, United Kingdom
  Back to profiles

Digital artist and narrative designer currently exploring identity, othering, and emotional survival through scrollytelling. I create squishy, immersive soft-digital works that invite reflection, challenge systems, and amplify quiet voices - where story meets glitch, and digital space becomes emotionally human.

’m a digital artist who makes narrative-driven, interactive, browser-based works - mostly scroll-based digital stories, often layered with text and visuals. These pieces can live online or be shown in physical spaces as projections, screens, or part of installations. I’m also experimenting with hybrid formats, like using thermal printers to create physical takeaways from digital experiences.

My work explores emotional themes - particularly identity, othering, and how we can validate those at the edges and evoke empathy from those who are traditionally centred. I like things that are glitchy, imperfect, and emotionally resonant. I’m not interested in slick or seamless design. I want my work to feel lived-in and a bit messy - like real life.

My current project, Glitch, began as part of Brighton Fringe 2025 and has continued to evolve. It’s a digital narrative that looks at transformation, rebellion, and quiet survival. It’s designed to feel immersive and reflective, even in a browser window. It’s also adaptable - I’ve shown it in installation form and as a standalone digital experience.

I’m queer and neurodivergent, and that shapes how I think and what I make. But I also hold privilege - as a white, cisgender, able-bodied woman - and I’m conscious of how I take up space in the art world. I try to use that awareness to hold open space for others and avoid centring myself in every narrative.

Right now, I’m focused on expanding Glitch and exploring new ways for digital work to live offline - through physical forms, interactive setups, and installations that keep the tone personal, not corporate. I’m interested in how digital tools can support vulnerability, not flatten it.

Artwork

Glitch, Digital interactive immersive, 2025

Details

Interested in
CommissionConferenceExhibitionResidencyStudio spaces
Media
CollageDigitalDrawingIllustrationProjectionText
Other keywords
AbstractExperimentalIdentityParticipatorySite-specific