Martin Allman United Kingdom
Working with salvaged ecclesiastical glass, I use historical fragments to construct new paradigms of image‑making. Informed by early Renaissance craft, my practice reconfigures light, fracture and inherited forms for contemporary meaning.
I work with salvaged ecclesiastical glass, treating historical fragments as active agents rather than relics. My practice explores how images persist across time, and how their survival can generate new paradigms of form and meaning. Informed by early Renaissance craft, I use light, fracture and inherited iconography to create contemporary objects where past and present coexist and reshape one another.
